Review: T-Pain – rEVOLVEr (Deluxe Version)

rEVOLEr (Deluxe Version)
Artist: T-Pain
Genre: Hip-Hop/Rap
Album Release Date: December 02, 2011

I’ll admit. This is the first time I actually listen to an album of T-Pain. In fact, I haven’t listened to anything released from T-Pain at all. The last song I remember that had any relevance to T-Pain was a song from Hip-Hop artist, Ludacris, called “One More Drink”. It was a decent song. So with that said, I won’t try to bash or rant on this review. This album, to my surprise was a big flop. The album also is kind of confusing to me because the songs all seem like club/dance songs or depressing love songs, one or the other. If you are and person who remembers the 90’s hip-hop and rap scene, I highly doubt this album will appeal to you. There is no real hip-hop or rap here.

Songs like “Bang Bang Pow Pow” and “Look at her Go” are clearly dance songs. To call this hip-hop is, in my opinion insulting to real hip-hop and rap artists. Anyway, the album as I said, Is not bad. But it’s not good as well. I liked a few songs and I believe that’s only because I like club songs.

This album features a lot of great artist but it doesn’t do it any justice. The whole CD could have been a lot better but it fails to capture me. Maybe it’s because I’m an old school hip-hop type of guy. There really isn’t, what I would call, a memorable song here. I found myself never listening to a whole song on this album, even the songs that I chose as good. For example, 5 O’clock is the album’s hit song and it’s pretty bad. Listening to any song was sort of a chore excluding the ones I choice as good. There are only 3 out of 17 songs on this whole album I sort of enjoyed. To be quite honest, it’s a horrible album. T-Pain could do better, especially since he uses auto-tune.

Conclusion: I wish I could write something positive about this CD but it would be hard for me to find something positive. I’m not trying to bash but this album, as I said, fails to capture me. I found it boring and mediocre. It’s funny because this guy uses auto-tune and his music still fails. I don’t hate T-Pain and I’m still open to hearing future releases of his albums. But this one is just lame. I wouldn’t buy this album and would tell T-Pain fans to wait till it’s on sale.

Choice songs: “Center of the Stage”, “Bang Bang Pow Pow” and “Look at her go”.

Recommend: No

Rating: 2/5

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Review: Korn – The Path of Totality

The Path Of Totality (Special Edition)
Artist: Korn
Genre: Dubstep/Metal/Electronic
Album Release Date: December 06, 2011

I’m a big Korn fan. I can’t say there’s an album of theirs I particularly dislike. Yes, their first album is their strongest – only just though. Through the years that followed “Issues” they have experimented in several genres – first with their heaviest albums “Untouchables” and “Take a Look in the Mirror” bearing in mind that Brian “Head” Welch left after this point, then going on to dabble in more of an electronic sound with producer The Matrix on “See You On The Other Side”, then seeing a second core member in Ray Silveria leave after that album before a turn to a more industrial, experimental rock sound with their Untitled album before doing something just last year that sounded closest to their first three albums than anything else since with “III – Remember Who You Are” and with that return it was somewhat unexpected to find out they were going to work on something essentially electronic.

Jonathan Davis’ chance to work on something predominantly electronic (as he’s a fan of the genre and its sub-genres such as dubstep and he also tours as a DJ) with Korn finally came around starting with a collaboration with dubstep producer Skrillex called “Get Up!” and it seemed to garner a lot of attention. For a start – the mixture of metal and dubstep actually worked, glued together by Davis’ trademark vocals and with the fact that dubstep has grown in popularity quite significantly over recent years means that the relevancy of Korn as a band could make a return in the mainstream crowd.

So – does a whole album based around the same idea work or was “Get Up!” a one-off?

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